bitch-media:

This image of an artist breastfeeding her four-year-old son on the cover of Hip Mama is apparently too outrageous for newsstands: Hip Mama got word from its vendors that they would not sell the magazine with that cover, plus it was banned from Facebook. 

Read the whole story here

“The celebrity, the spectacular representation of a living human being, embodies this banality by embodying the image of a possible role. Being a star means specializing in the seemingly lived; the star is the object of identification with the shallow seeming life that has to compensate for the fragmented productive specializations which are actually lived. Celebrities exist to act out various styles of living and viewing society unfettered, free to express themselves globally. They embody the inaccessible result of social labor by dramatizing its by-products magically projected above it as its goal: power and vacations, decision and consumption, which are the beginning and end of an undiscussed process. In one case state power personalizes itself as a pseudo-star; in another a star of consumption gets elected as a pseudo-power over the lived. But just as the activities of the star are not really global, they are not really varied.”
— Guy Debord, Society Of The Spectacle (via foucault-the-haters)

 

Critics’ Reactions to the Jaime/Cersei Rape Scene in Episode 4.3 of Game of Thrones

"I wonder, then, if the rape was on some level a misguided attempt to give Cersei even more pathos, a la the convenient backstory rapes that have become depressingly common on prestige TV (and Scandal)…I wonder if TV Thrones‘s writers just have a tendency to change problematic book sex scenes into clear scenes of unconsensual sex.” - Hillary Busis, Entertainment Weekly

Game of Thrones has a rape problem.” Kevin Spak, Newser

"In the original depiction, Jaime never says “Why have the Gods made me love a hateful woman?” — a line that the TV show added in, which in context makes Jaime look like an abusive rapist (the gods made me do it!)”- Darren Franich, Entertainment Weekly

Jaime forced himself upon Cersei despite her demands to stop. “It’s not right,” she cried, to which Jaime snarled, “I don’t care.”…we can never unsee that godawful scene. Leanne Aguilera, E! Online

"If this scene really just is a miscalculation in direction (and potentially the writing of Benioff and Weiss, neither of whom have yet commented on it) and doesn’t get any payoff later in the season, then it truly deserves all the criticism it has been receiving.” - Terri Schwartz, Zap2It

The director who shot the scene and the man who acted in it both believe it wasn’t necessarily nonconsensual sex— an attitude that isn’t totally surprising in a society that’s deeply confused about what constitutes consent, and that doesn’t always recognize sexual violence for what it is. -Tara Culp-Ressler, ThinkProgress

So then Jaime … well … no other way to put this, really. He rapes his sister beside their corpse of their murdered son. This is the same guy who protected Brienne from a similar fate last year.  - James Hibberd, Entertainment Weekly

"…the show’s overall treatment of women as disposable objects onto whom physical and emotional violence are relentlessly enacted. Sexual violence is so pervasive on the show that nearly every woman on the show has been raped or threatened with rape. The show, and the books, reveal the disturbing and cavalier facility with which rape becomes a narrative device.Rape is used to punish. Rape is used to make a woman more sympathetic or to explicate their anger or other unlikable qualities. Rape is used to put women in their place.” -Roxane Gay, Salon

"The entire scene in the sept was an exercise in Cersei’s belittlement. She watched her father degrade and dishonor (albeit truthfully) her firstborn’s legacy and then manipulate her youngest into serving as his marionette. Then, on the floor next to the body of her dead son, the only man she’s ever taken into her confidence abused that trust in the most vile way imaginable.” - Hillary Kelly, The New Republic

"A giggling dead body would have at least taken our attention away from, you know, the raping." - Johnny Brayson, wetpaint

"Whether the show meant it to come across that way or not, what we saw was a rape.” - Erik Kain, Forbes

"The scene, which has Cersei pleading “stop it” repeatedly and struggling against Jaime, appears far from consensual." - Margaret Wappler, Los Angeles Times

In the show there’s no other way to interpret it as unambiguous rape. Jaimie isn’t loving when he tries to have sex with her in the show, he’s shown as being angry and hateful, cursing her for being a wicked woman. There’s no point in the scene on the show that we can see Cersei consent, which makes the whole scene significantly different from the book. Some readers have pointed out that the rape in the show is damaging for Cersei’s character arc since she had to endure the marriage to Robert Baratheon in which he essentially engaged in marital rape,  Her consensual sex was always with Jaimie who made her feel safe. Jaimie raping her in the show completely destroys their relationship and destroys the trust she has in Jaimie leaving her without anyone. - AJ, the Digital Times

The rewritten scene also takes away all of Cersei’s agency. In the original text, Cersei chooses to have sex with Jaime, grotesque as it and the setting may be — because she wants to, or because she uses sex to manipulate, it doesn’t matter. Cersei has power and control. The scene in the show deprives her of all of that. - Amelia McDonell-Parry, The Frisky

His response is not to stop loving her, not to stop believing that he is victim to the gods. Instead, Jaime rapes his sister, passing that sense of unendurable pain on to her. He must know that this is the worst possible way that he could hurt her. Jaime knew that Robert raped Cersei, and in the novels, he wanted to kill Robert for it. Not only does raping Cersei remind his sister of her repeated, humiliating violation, Jaime is poisoning their own relationship, the thing that had been Cersei’s antidote to the miseries of her marriage. It is an exceptionally cruel thing for Jaime to do.  - Alyssa Rosenberg, Washington Post.

It’s hard to shake the idea that Game Of Thrones, the show, doesn’t see a problem with pushing a scene from complicated, consensual sex to outright rape. It would be easier to accept that idea if it were clear what the show was trying to do with those changes. - Sonia Saraiya, AV Club

If Graves intended to depict consensual sex in the end, he completely failed. This wasn’t even one of those terribly clichéd scenes where a man starts raping a woman only to find that she comes around to thinking it’s hot. Cersei is still kicking and protesting when the camera cuts away. It’s as straightforward a rape scene as you’ll get on TV, unless you buy the ridiculous myth that a woman can’t be raped if she’s consented to sex with a man before. - Amanda Marcotte, Slate

This isn’t the first rape scene in Game of Thrones—far from it. And there’s been controversy over the show’s use of rape before. But what makes this scene the most upsetting one yet is that the director didn’t realize he was filming a rape scene…Whether or not the creators intended this to be a rape scene is irrelevant; they made one anyway. And worse, they made one that encourages the most dangerous thinking about rape imaginable. - Laura Hudson, Wired

"How will victims of sexual assault be affected when a director and actor in one of television’s most popular shows questions whether no really means no?" - Eliana Dockterman, Time Magazine

I’ll go ahead and say it: Jaime Lannister has become a rape cliché. He’s the boss, like every other on-screen rapist we’ve ever seen. - Hayley Krischer, Salon

"I’m not opposed to shows depicting sexual violence, but rape-as-prop is always distressing…Rape and abuse have consequences for the victims who carry those traumas with them. While I don’t know exactly how the show will depict the aftermath of Jamie raping Cersei, GoT does not have a strong track record of acknowledging or exploring the lingering effects of surviving sexual assault." - Margarey Lyons, Vulture/New York Magazine

"I can’t think of any comparable defense for the rape scene in "Breaker of Chains," which feels like a naked and ill-conceived attempt to push Game of Thrones into even darker territory. …I’m concerned that Game of Thrones has made a mistake it can’t take back — and one that sets a troubling precedent for the show’s future.” - Scott Meslow, The Week

The Game of Thrones Rape Scene Was Unnecessary and Despicable….The fact that showrunners might be asking us to overlook this for the sake of character development is downright insulting and says a lot about how we treat victims, especially the ones who come off as unlikable. - Madeleine Davies, Jezebel.com

Is “Game of Thrones” Obsessed With Sexual Assault?…Frankly, there are some weeks when “Game of Thrones” doesn’t seem worth the effort.  - Sam Adams, IndieWire

(via queencersei)

stop eating mammals

vegansgoalltheway:

Awareness is bad for the meat business.
Conscience is bad for the meat business.
Sensitivity to life is bad for the meat business.
DENIAL, however, the meat business finds indispensable. ~
John Robbins

Picture from an undercover investigation into Freedom Food.

These sickening scenes show semi-paralysed pigs left to suffer in their own filth – at an RSPCA-backed farm.

They were secretly filmed at a unit supplying meat to McDonald’s and supermarkets through the charity’s Freedom Food scheme, which guarantees animals are well-treated.

http://www.mirror.co.uk/news/uk-news/semi-paralysed-slumped-waste-yet-pigs-2241928

(via fightingforanimals)

I’ve never been female. But I have been black my whole life. I can perhaps offer some insight from that perspective. There are many similar social issues related to access to equal opportunity that we find in the black community, as well as the community of women in a white male dominate society…

When I look at — throughout my life — I’ve known that I wanted to do astrophysics since I was 9 years old…I got to see how the world around me reacted to my expressions of these ambitions. All I can say is, the fact that I wanted to be a scientist, an astrophysicist was hands down the path of most resistance through the forces of society.

Anytime I expressed this interest, teachers would say, ‘Oh, don’t you wanna be an athlete?’ I want to become someone that was outside of the paradigm of expectations of the people in power. Fortunately, my depth of interest of the universe was so deep and so fuel enriched that everyone of these curve balls that I was thrown, and fences built in front of me, and hills that I had to climb, I just reach for more fuel, and I just kept going.

Now, here I am, one of the most visible scientists in the land, and I wanna look behind me and say, ‘Where are the others who might have been this,’ and they’re not there! …I happened to survive and others did not simply because of forces of society that prevented it at every turn. At every turn.

…My life experience tells me that when you don’t find blacks, when you don’t find women in the sciences, I know that these forces are real, and I had to survive them in order to get where I am today.

So before we start talking about genetic differences, you gotta come up with a system where there’s equal opportunity, then we can have that conversation.

Neil DeGrasse Tyson in response to a question posed by Lawrence Summers, former Treasury Security and Harvard University President

"What’s up with chicks and science?"

Are there genetic differences between men and women, explain why more men are in science.

(via magnius159)

This was beautiful

(via tallestsilver)

(via hipster-rawry)

oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.
oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.
 This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.

oystergirlrhymes:

This semester I went to the White Privilege Conference in Madison, WI for my honors seminar about examining privilege. I made a poster about the behaviors of particular white female musicians who appropriate other cultures as a means of identity and sexualize/objectify WOC as a means of displaying sexual agency and social power. All under the guise of “empowerment”.


This is my take on the knowledge I found through seminar and readings, (esp. online articles) so in no way do I claim these ideas or concepts as my own.

(via theroguefeminist)